With 2023 winding down, I want to do a short recap on the
blog this year. A part of this is to help me evaluate my thoughts and writing with
enough hindsight, but it’s also fun to see the weird places I wandered to
throughout the year. I wasn’t planning on writing about electronic anime albums,
a Gundam guide, and a journey through someone making crap up on Wikipedia, but it
all led to some fun diversions, even if I still haven’t settled on a cohesive
identity for this blog.
While this blog still wasn’t too active, I’m happy I had the discipline to write, edit, and release multiple posts on varying topics. This is all still a hobby of mine, but it’s good practice for my own writing. I don’t have huge aspirations for this page, but if I can make something entertaining and informative for at least a few other people while exploring my interests, that’s rewarding enough.
The only major change to the blog itself was making it look more presentable. A purple background with white text was a bad idea and I don’t know why I put it in at all, but hopefully the light pink with black text style ages better. Or maybe I’ll decide that look stinks too, we’ll see.
For some reason, neither this nor the Tumblr show up Google’s search, but they do appear on Yahoo and Bing. I’m doing the Google site analytics tools to crawl the URL and see what the issue is, but any advice is appreciated. I don’t want this to be stuck on social media alone, especially since I avoid using it too much.
With all that said, here's my brief recap of what happened here in 2023.
Posts
Diving
into the Digital Trip
My favorite and longest post that I worked on, this was a chance to explore a true passion of mine, and I’m glad that it got read and shared by others. I’ve loved going through these albums so much over my years of ani/toku song listening, but I noticed there was not a direct English overview of the series as available aside from blogs and scattered forum posts covering a few individual albums. While I hoped to balance providing actual details with some personal opinions, the overarching goal was to have some kind of record (tee hee) of the series.
My favorite and longest post that I worked on, this was a chance to explore a true passion of mine, and I’m glad that it got read and shared by others. I’ve loved going through these albums so much over my years of ani/toku song listening, but I noticed there was not a direct English overview of the series as available aside from blogs and scattered forum posts covering a few individual albums. While I hoped to balance providing actual details with some personal opinions, the overarching goal was to have some kind of record (tee hee) of the series.
There is the issue of writing about music without getting to demonstrate it with the actual songs, but I’m skittish about YouTube given my past experience with a fun clips channel that got nuked. Even for the official uploads, I didn’t want to rely on links to videos that could get eventually removed when writing the post. I’ve seen lots of posts that bank on watching a now-deleted linked video as a part of reading it, so I wanted to make the post work well enough on its own.
I also regret that I didn’t have enough primary sources to make it a proper “history”, and I disdain having to fall back on generalizations regarding some details like the series’ end. This is something I’d love to revisit again in the future, either as a more specific history or covering a few of the albums in more detail. Still, I enjoyed writing and releasing this one the most, and I hope I can make posts in this style going forwards.
An unexpected post idea that spun out of an offhand Discord conversation that then spiraled into a whole messy chain of tracking wrong rumors, but I think it came out decent. Sometimes I get so fixated on Som winding story that I need to write it out to put my mind at ease, for catharsis if nothing else. While that normally results in longer, meandering slogs I don’t end up releasing, this time it gave me something interesting to talk about, even if it ended up delaying the Digital Trip article.
The ending part is a bit more dramatic and speechifying than what I’d prefer, but I wanted to capture some of my frustrations that come dealing with anime rumors online. I still have an old Genki book a friend loaned years ago, but I do hope to have the time and plan to actually learn more Japanese, for my own education at least.
Self-explanatory. It was more an update for anyone familiar with my old channel than a real “post”, and there’s already loads more significant cases of Youtube’s copyright system being annoying for years. This also taught me why you shouldn’t ignore your inbox for multi-day stretches, even if you really want to.
A breezy, if somewhat superficial post that was my first attempt at writing a post that wasn’t a review, publishing a translation, or episode recap/speculation. This was an idea I had nagging at me without thinking of the right way to formulate it, but I guess it was as plain as “big stuff in sci fi is cool”. I’d written argument-styled articles in real life a few times, so I thought this was a good chance to translate that style into something more nerdy and lower-stakes. If I were to write more opinionated stuff on the blog again, I’d aim it something close to this, though perhaps with stronger topics.
While I try to avoid writing things based of things that swim through social media, this started because I’d seen variations of this question pop up so many times. I wanted to make a more concise and direct guide that didn’t overcomplicate something that’s actually rather straightforward.
The reductive, but still fairly accurate recommendation is to just follow production order, which is a useful “watch order” approach in almost all cases of franchises, but I think Gundam’s unique situation of being more a thematic umbrella made a guide like this helpful enough on its own, even if it’s less about the shows’ content.
This was intended more as a “how do I approach Gundam” rather than a “which ones are good”, since opinions on show quality are more personal and less helpful to a newcomer trying to explore. Besides, I’ve seen basically every show get praised or slagged by different people, and “fan consensus” is limiting in its own way, if it even exists. I still had some opinion parts fall in there more than I intended, but I think the updated version is better balanced. I don’t know if I could or want to make other guides like this going forwards, but this was a fun diversion regardless. My ideal guide would be something closer to Berndadelta Subs’ guides for Pre-Zyu Sentai and Metal Heroes that talk about aspects and specifics that might appeal to different people, but I hope mine is still helpful to some extent.
(Also, I once accidentally removed the pics from the Blogspot version. Oops!)
These weren’t technically this year, but I figured I’d include them anyways. This was an attempt to have a recurring benchmark to meet, but college eventually caught up with me. I still watched the show all the way through and enjoyed it even after I stopped doing the recaps (and season recaps I tentatively promised), though I felt talking about it with others on Discord was a better way of working through my thoughts than posts like this.
I’m not sure this type of weekly recap is that useful except as a marker of some of my initial impressions. There’s no shortage of takes, opinions, and weekly recaps on anime anyways, so I figure this is something I won’t try again.
Translations (all courtesy of Windii)
Macross
DT Liner Notes
A supplement to the DT article that gave some of the more concrete details for how the arranging process worked, which was also gratifying for one of my favorite albums in the series. The harmonic math involved on some tracks also highlighted the careful technical knowledge needed for this kind of song arranging. I hope to have more DT liner notes translated in the future.
A supplement to the DT article that gave some of the more concrete details for how the arranging process worked, which was also gratifying for one of my favorite albums in the series. The harmonic math involved on some tracks also highlighted the careful technical knowledge needed for this kind of song arranging. I hope to have more DT liner notes translated in the future.
Sci fi costume design is a longstanding interest of mine, so this was my favorite interview to see translated. A lot of the details also made me appreciate aspects of the show I hadn’t noticed as closely, especially with Suletta’s outfits. Costume design is much more important and deliberate in original anime shows than I had realized, and I’d still love to see more about the other costume designs, especially the Earth House casual outfits and epilogue ones.
This was the first interview I got translated. I wanted to avoid duplicating subjects or interviews other people might do, but I more so chose this article because I loved the designs for the show, especially in that they came from a total newcomer to anime. Mogumo has amazing skills as a character designer and artist, even if the more anime-involved designers played a large role as well, and I enjoyed the character descriptions they were aiming for (especially Suletta and Miorine being dog and cat-like). The interview also showed how involved director Kobayashi was in the process at multiple points, and seeing character details worked out through the design traits is always fun to learn.
I really hope Mogumo and Hisadake can do more anime-related work in the future, especially seeing their designs in new contexts. I bought some of their concept pitch art books digitally, and it seems like they’re also putting out more extensive work at the recent Comiket 103.
Stuff I Want to Tackle in the Future
I feel like so much knowledge about anime is limited because of how much information is out there but goes untranslated, leaving people to speculate (or fabricate) in its place. Learning Japanese is still a far-off goal for me, but I still want to do what I can to get better information about anime floating around through paying people who are good at it (thanks again Windii!). I’ll continue buying some magazines and books myself, but there’s also loads of pages that people have scanned online over the years that are still lying untranslated. Ideally, I want to get more liner notes and older anime magazine articles up throughout the year, though I am still limited by my own finances. More immediately, I want to get other liner notes and articles on a few series I like translated, so look out for those in the next months.
These would be in the succinct style of the “Big Cool Sci Fi Stuff” article but sometimes focused on more meaty topics. The main one I teased was exploring the way people talk about anime directors, but I’m wary of diving into discussions of fandom habits since it’s too easy to abstract and generalize. Talking about fandom discourse is also less important to me given how ephemeral and subjective it is.
I also want to avoid straight reviews or critical analysis, since I think there’s no shortage of media analysis and criticism online that is still entertaining but less substantive in the longer-term than more fact-centered discussions. I have plenty of opinions on the narratives of anime and enjoy talking with pals and friends about some aspects, but I feel like anime plot discussion is a very saturated field that I don’t have anything interesting enough to add to in longer posts. If I do write something like that, I’d tag it under something like “Ruminations”.
I don’t begrudge the people who make reviews, rankings, or discuss anime plots and themes. It takes a special skillset to articulate cogent and readable opinions beyond mere quick or angry takes. But I feel like opinions on writing and stories have sucked up too much space in anime discussions for a long time compared to other topics like artistic styles, production history, or broader looks at narrative structure, even if that’s been changing lately. I want to make more unique contributions that are still opinionated but would go beyond the standard habits of critical reviews, hopefully something more unique and useful.
While I know what I want to avoid, it’ll take more time to find more focused topics to write about. Additional retrospective overviews of albums are one possibility, and there are broader aspects of some shows I want to explore beyond more standard critical reviews, but there’s a lot I remain unsure about. Still, I’m optimistic I’ll form something out of this tentative plan.
I’m nowhere near the skills and capacities of the many people who talk about animation and art in anime, but I always regret how decentralized many sites, people, and resources are when trying to learn about the craft behind anime. This would ideally be a more centralized hub of links to pages that both I and others could use.
I’m sure there’s other things I’ll think of in the future. Balancing the need to not constrict my scope while still giving my blog some kind of tangible identity is difficult, but I hope I can still make this whole thing distinct enough.
Conclusion
Here’s to 2024!
Hambrababy
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